Song of Myself, X
Alone far in the wilds and mountains I hunt,
Wandering amazed at my own lightness and glee,
In the late afternoon choosing a safe spot to pass the night,
Kindling a fire and broiling the fresh-kill'd game,
Falling asleep on the gather'd leaves with my dog and gun
by my side.
The Yankee clipper is under her sky-sails, she cuts the
sparkle and scud,
My eyes settle the land, I bend at her prow or shout
joyously from the deck.
The boatmen and clam-diggers arose early and stopt for me,
I tuck'd my trowser-ends in my boots and went and had a
good time;
You should have been with us that day round the chowder-
kettle.
I saw the marriage of the trapper in the open air in the far
west, the bride was a red girl,
Her father and his friends sat near cross-legged and dumbly
smoking, they had moccasins to their feet and large
thick blankets hanging from their shoulders,
On a bank lounged the trapper, he was drest mostly in skins,
his luxuriant beard and curls protected his neck, he held
his bride by the hand,
She had long eyelashes, her head was bare, her coarse straight
locks descended upon her voluptuous limbs and reach'd
to her feet.
The runaway slave came to my house and stopt outside,
I heard his motions crackling the twigs of the woodpile,
Through the swung half-door of the kitchen I saw him
limpsy and weak,
And went where he sat on a log and led him in and assured
him,
And brought water and fill'd a tub for his sweated body and
bruis'd feet,
And gave him a room that enter'd from my own, and gave
him some coarse clean clothes,
And remember perfectly well his revolving eyes and his
awkwardness,
And remember putting plasters on the galls of his neck and
ankles;
He staid with me a week before he was recuperated and
pass'd north,
I had him sit next me at table, my fire-lock lean'd in the
corner.
This poem attempts transcendence of time and place with its anachronistic vignettes. Whitman lays out several scenarios that taught him something, that gave him some insight into the human experience. The first scene is peaceful and simple the magnitude of the night sky and the dark wood envelope him. The feeling of spotting land from the deck of a clipper is one of existential joy and he shares unadulterated friendship with the clamdiggers. He sees true love in the western wilds of his country and shows true compassion to the needy slave. This poem is a perfect example of Romantic style because it shows how everyday people and situations exemplify some of the finest and most moving parts of all of our experience. Whitman shows magnificence in the lives of the common man, universal truths that go unnoticed underneath the veil of the everyday.
Alone far in the wilds and mountains I hunt,
Wandering amazed at my own lightness and glee,
In the late afternoon choosing a safe spot to pass the night,
Kindling a fire and broiling the fresh-kill'd game,
Falling asleep on the gather'd leaves with my dog and gun
by my side.
The Yankee clipper is under her sky-sails, she cuts the
sparkle and scud,
My eyes settle the land, I bend at her prow or shout
joyously from the deck.
The boatmen and clam-diggers arose early and stopt for me,
I tuck'd my trowser-ends in my boots and went and had a
good time;
You should have been with us that day round the chowder-
kettle.
I saw the marriage of the trapper in the open air in the far
west, the bride was a red girl,
Her father and his friends sat near cross-legged and dumbly
smoking, they had moccasins to their feet and large
thick blankets hanging from their shoulders,
On a bank lounged the trapper, he was drest mostly in skins,
his luxuriant beard and curls protected his neck, he held
his bride by the hand,
She had long eyelashes, her head was bare, her coarse straight
locks descended upon her voluptuous limbs and reach'd
to her feet.
The runaway slave came to my house and stopt outside,
I heard his motions crackling the twigs of the woodpile,
Through the swung half-door of the kitchen I saw him
limpsy and weak,
And went where he sat on a log and led him in and assured
him,
And brought water and fill'd a tub for his sweated body and
bruis'd feet,
And gave him a room that enter'd from my own, and gave
him some coarse clean clothes,
And remember perfectly well his revolving eyes and his
awkwardness,
And remember putting plasters on the galls of his neck and
ankles;
He staid with me a week before he was recuperated and
pass'd north,
I had him sit next me at table, my fire-lock lean'd in the
corner.
Wandering amazed at my own lightness and glee,
In the late afternoon choosing a safe spot to pass the night,
Kindling a fire and broiling the fresh-kill'd game,
Falling asleep on the gather'd leaves with my dog and gun
by my side.
The Yankee clipper is under her sky-sails, she cuts the
sparkle and scud,
My eyes settle the land, I bend at her prow or shout
joyously from the deck.
The boatmen and clam-diggers arose early and stopt for me,
I tuck'd my trowser-ends in my boots and went and had a
good time;
You should have been with us that day round the chowder-
kettle.
I saw the marriage of the trapper in the open air in the far
west, the bride was a red girl,
Her father and his friends sat near cross-legged and dumbly
smoking, they had moccasins to their feet and large
thick blankets hanging from their shoulders,
On a bank lounged the trapper, he was drest mostly in skins,
his luxuriant beard and curls protected his neck, he held
his bride by the hand,
She had long eyelashes, her head was bare, her coarse straight
locks descended upon her voluptuous limbs and reach'd
to her feet.
The runaway slave came to my house and stopt outside,
I heard his motions crackling the twigs of the woodpile,
Through the swung half-door of the kitchen I saw him
limpsy and weak,
And went where he sat on a log and led him in and assured
him,
And brought water and fill'd a tub for his sweated body and
bruis'd feet,
And gave him a room that enter'd from my own, and gave
him some coarse clean clothes,
And remember perfectly well his revolving eyes and his
awkwardness,
And remember putting plasters on the galls of his neck and
ankles;
He staid with me a week before he was recuperated and
pass'd north,
I had him sit next me at table, my fire-lock lean'd in the
corner.
This poem attempts transcendence of time and place with its anachronistic vignettes. Whitman lays out several scenarios that taught him something, that gave him some insight into the human experience. The first scene is peaceful and simple the magnitude of the night sky and the dark wood envelope him. The feeling of spotting land from the deck of a clipper is one of existential joy and he shares unadulterated friendship with the clamdiggers. He sees true love in the western wilds of his country and shows true compassion to the needy slave. This poem is a perfect example of Romantic style because it shows how everyday people and situations exemplify some of the finest and most moving parts of all of our experience. Whitman shows magnificence in the lives of the common man, universal truths that go unnoticed underneath the veil of the everyday.
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